1st vinyls

I asked my parents to buy my first vinyl 45s; the cost of purchase coming out of my pocket-money. They went off into town armed with my list while I stayed home watching ‘Saturday morning children’s TV’.
Back they came, with: (drum roll)

1. Angel’s With Dirty Faces (Sham 69)
2. Airport (The Motors)
3. Like Clockwork, (The Boomtown Rats).

 

LIVING DEAD WEEKEND (festival)

So, Evans City, film set for the classic horror film Night of the Living Dead. October 2018, Evans City host a Living Dead Weekend festival. The local library is hosting a mail art show, honouring movies that keep us awake at night. Deadline, October 1st 2018.

Send mail art to:

Evans City Public Library, 205 South, Jackson Street, Evans City, PA 16033 USA

The collage shown here, titled: “All Hail Evans City!”, is my submission.

Su, ‘nam, me.

So I knew Su, we were kinda friends. We’d met as members of a group of people who got together in a cafe twice a month. We were writers, we weren’t professional, fully fledged writers, but Su and I were two people writing stories and poems who sometimes thought to compare ourselves to writers. With a view to help bolster this belief, we attended a collective of like-minded folk.
We barely met outside of the group meetings, when we did, it was at a designated bar after a meeting had finished. A smaller number of group members would sit around a large wooden table, chewing over the evening’s feedback session. It served as an opportunity to express views  a little more loosely, to joke around and get to know each other. As with any social gathering, several smaller enclaves would form, carrying on with a particular topic of conversation or developing new ones.
If you were like me, you might well fall silent at some point. Like when your day or week had caught up with you, your arm and leg muscles deciding lethargy the only response. Perhaps like me, you’d find this physical fatigue accompanied by a mental dissociation, taking you to an isolated and underwater world of echo sounds and viscous gravity. When you look around, you view people in conversation without registering the words they speak. You hear laughter, see expressions of surprise, both feigned or real, each punctuating sentences for precise effect.
Most profoundly of all, you find yourself alone.
That is until, by chance your eyes meet with somebody carried on the current as far away as you are, heading out east encouraged by a gusting jet stream. What happens next seems like no one else sees what’s happening. Movement synchronising frame by frame in a two-person populated world. Did he just smile then, did she just smile back? nobody asks.
Su is young, my blood is red but Su is young enough for me to know not to cross any kind of line with her. Did I smile? Yes, I smiled, fleetingly so. I can’t see my own face, I can’t be sure if it relaxed a little and softened somewhat like hers had, but I’d guess it had done.
“I have a plan.” She tells me, no attempt made to quell a new and subversive-looking smile.
“You have a plan?” Our two worlds meld together.
“A plan, yes.”
“What kind of plan?” I ask.
“The idea occurred to me while I’d been reading up about George Lucas and the beginnings of Star Wars.”
“Oh?” I’m unsure if she’s being serious or not.
Su empties the remaining tonic water into her glass, shaking it vigorously to extract the last few drops.
“In the early 70s, he’d wanted to make an anti Vietnam war film.”
“Okay.” I know this to be true.
“The war had recently concluded. Anyone even vaguely interested at the time would have understood the U.S. to have lost the war.”
“Except, initially they went into some kind of historical denial over it.” I say.
“Well, that’s one way to put it. For Lucas, it meant he couldn’t find anyone to fund the project. When you look back on the era, you can see it took until nineteen seventy eight with ‘Deer Hunter’ and another year after that for ‘Apocalypse Now’ until American introspection over the war appeared in film.” Elbows on the table, Su is clasping her hands together in front of her, extending two pinkies with tips touching to form a triangular shape pointing in my direction.
“I guess that’s pretty telling,” I say, “rewind to the early to mid-1940s and already Second World War movies were being made.”
“This is true.” Su says, “So Lucas goes for a major re-adaptation, taking the story and throwing it off into a galaxy far, far away.” A graceful imitation of a frisbee-throw follows.
“Okay,” I say, “I guess with the race into space, America was enjoying way more success.”
“Indeed they were and they were winning and by then,” Su continued, “Sci-Fi had broken away from the previous decades risible output. The alarmist, little green men shenanigans had ceased and been replaced by a considered approach.”
“Kubrick 2001 fall-out.” I say.
“Quite, and even better, within Star Wars he’d been able to cast America as the evil empire and the Viet Cong as the rebel alliance without the people who ended up bankrolling the film ever realising.” Su drew in a large mouthful of gin mixed with tonic and watched my reaction carefully.
“Okay,” I say, “so what’s all this got to do with your plan? I’m intrigued.”
“Well, it isn’t to write a screenplay for an actual Vietnam war story, set in space.” Su says, spinning around the remaining ice-cubes inside her near empty glass. “I-don’t-know, but when I read about the back-story to getting Star Wars off the ground and just how long film projects take from inception to the final cut, it got me thinking: What if I learnt of blockbuster film concepts earlier enough, so I could write my own imagining of a screenplay into a story and self-publish? Then, I’d sue the fuckers for copyright before their film comes out.”
“You’d have to be able to write something up pretty quickly,” I say, deploying a cautionary tone, “and it’d have to be convincing.”
“Wouldn’t you if there was a chance of a $200,000 settlement waiting up ahead? By the time they are all set to go, the film company won’t want to get held up by a battle over artistic copyright. They’ll seek to settle, it would cost them multiples of a pay-out figure if distribution were delayed.”
“I’d love to ride shotgun with you on this project.” I say.
“In so many words, that’s what I’d hoped you’d propose. I’ll need some support along the way which will see you with 20% of the takings. I’ll only do it a few times and then move on.” Su says, turning her head to face upwards at the night sky.
“Okay,” I say, as a great wave of exhilaration washes through me, “so when do we start?” We both look around our immediate vicinity and notice everyone has gone home.
“Now seem like a good time?” Su says.

NEW YORK – BIG APPLE IV: MAIL ART SHOW

Promoted by the New York Boyer Foundation, inviting anyone to participate in an international art exhibition.

Exhibition runs through November 2018 at the New York Public Library Hudson Park Branch.

The theme and media are open/free, dimensions, maximum size 8.5″x11″ (22cm x 28cm).

No sales, no jury, no returns.

Submission requires name, title, media, date, email address and website – if applicable.

Send to:

The New York Boyer Library Foundation, New York Big Apple IV Project, 161 Prince St., Apt. 2, New York, NY 10012-5338

Need more info? Email newyorkboyerfoundation@yahoo.com

All info on this post taken from International Union of Mail Artists (IUOMA), courtesy of Ruud Janssen.

The accompanying image to this post, is my own submission.

When a kid, I remember being told it’s illegal in the UK to ‘deface’ the head of the queen from money. If this also proves true of postage stamps, well… I guess I maybe in some trouble.

the rise of the dandelions

The sun glared down from a clear sky onto a grassy knoll at high noon, on a hot mid-summer’s day. Aster, transient Empress Taraxacum Dandeliona, surveyed her vast weed army spread out before her. Already, white seeds sprouted amongst her bright yellow petals, indicating the completion of her life-cycle drew near. Soon, her seed distribution would begin and with it her reign pass on.
“Weed Army, hear this!” she declared, “with the Russian Vine largely decimated little stands in our way. We take this land as our land, for generations to come.”
In response, a cloud of seed released into the air and flew in formation over the Empress’ head.
“Good luck patriots!” she called after them, “God’s speed!”
With the seed cloud passed from sight, her attention returned to the assembled troops. “Take heed of this,” the Empress said, adopting a cautionary tone, “one garden enclave up ahead is proving tricky to overcome. The Humarnus living at this address, has taken to tearing the heads off our soldiers, before they have reached full maturity.”
Furthermore, he has painstakingly applied a nocuous liquid, condemning many of our comrades to a slow and painful death.”
“How will we rest control of his land, Empress?” several soldiers cried out in synchronisation.
“Kill! Kill! Kill!” went up a chant, building to a feverous level. The Empress waited patiently, before addressing her minions.
“Guile is our most effective weapon, guile and tenacity – both of which we hold in large measures. Cooperation with our allies, the Buttercups and Daisies, has seen established a reliable chain of communication. It appears the Humarnus likes our friends, who are allowed to settle sparsely across the lawn. The information gathered so far, indicates a weakness along the flanks of the garden. Our enemy fails to trim back the grasses up near the wall on one side and fence on the other, making these our best routes of access.
“From here, we shall move up and into the crevices of the unkempt crazy paving patio and launch our main offensive, flowing out across the entire lawn.” The Empress paused, she felt the heat of the sun on her barnet, yellow turning to white, petal by petal.
“The time is near, those of you who are ready keep your seed dry and light, await your Empress, as I will lead you from the front. When the next gust of wind sweeps across, be ready to release upon my command.”
The Dandelion army shimmered in anticipation as an initial current of a cool breeze swept amongst their stems.
“We do this for the multitudes of generations who follow us and we shall not be forgotten!”
“Indeed!” roared the army.
A fully mature signaller cast it’s progeny into the prevailing wind. As seeds soared over the Empress, her last command sounded out.
“Ready? The game is afoot! All… together… now! …”

vapid escalation

Located in my usual cafe, I’m sat at a table to the rear of the dining area, feeling hungover, waiting for my English fried breakfast to be served. In this fogged state of mind, I am unable to maintain the necessary chemical synaptic connection between thought and action. With the signals blinking on and off, my eyelids drawn half-down works best for now.

I spend much time in this communal space. This is where I meet people, usually interesting people lacking in pretension – much like the cafe. The layout has remained the same for as long as I can remember. Near the entrance, an L-shaped counter top is where food is ordered, self-collect cutlery, condiments and serviettes are positioned nearby. Broadly aligned in rows, wooden tables and chairs stretch out across the dining area.

It is already late-morning, I am sat stirring a pitch-black expresso, wincing each time the spoon scrapes against the china cup. Peripheral vision speaks to me of an elderly, tweed-suited gentleman sat three tables across from mine. Focal analysis reveals a pressed white shirt, striped tie and scuffed handmade leather shoes, topped by two-toned hooped socks. He swaps between scrutinising the wallpaper ahead of him, looking down into the depths of his tea-cup and casual glances pitched in my direction. Each time he catches my eye, a broad smile forms across his face. Incapable of returning the courtesy, I draw my eyelids up and then let them slide back down in repose. This cycle replays uninterrupted for five minutes or so, until a mistimed declaration is delivered in my direction.

“You know coffee dulls the senses?” I swivel my head around and arch an eyebrow at the man. At the same moment, the young waitress wannabe-occupational health therapist, arrives to the table blocking my view of the man. Ever thoughtful and with a steady hand, Mia lowers the plate down before me. Straining to peer around the waitress, the obscured man leans forward in his chair, removing horn rimmed glasses from a red-veined bulbous nose. Mia’s innate magnetism draws my attention away – upwards directly, whereupon I offer my thanks and ask how she’s keeping, how her studies are progressing.

“I am good thank you Brinkinfield,” she says sounding upbeat, while arranging the condiments neatly in a row, “all good. The sun is out, people are happy. Today is a good day, enjoy your breakfast.”

I’d hoped for more conversation, yet find myself incapable of creative exchange to hold her attention. Mia is busy; she turns around, pausing to clear two tables on her way back to the cafe counter. I am left with the play-through of a frequent mirage in which we embrace each other unclothed, underneath a spectacular alpine waterfall. Fortunately for Mia, I am depicted in the looped scenario shed of several years, my beer belly transformed into a flatteringly contoured and symmetrically ripped abdomen.

“Clarke’s the name and myth-busting’s my game!” says tweed-man, turning my unholy vision to slime. Despite my severely dehydrated and low blood-sugar state, I recognise such an announcement as an invite for enquiry and a desire for conversation.

“Clark you say?” I say, collecting my fork and stabbing at a fried button-mushroom on the plate.

“No… Clarke, with an ‘e’.” His expression suggests the imminent rolling-out of a well-worn explanation.

“Oh, I thought I said that.” I reply, savouring the revitalising taste of protein and fat I’ve forked into my mouth.

“No no, you said ‘Clark’ without the ‘e’. It is not a silent vowel,” he tells me, from within an enveloping cloud of self-satisfaction, “you’ll find it is there for a purpose!” Observing the man take in a deep breath, I brace myself, adding salt and then pepper to my food.

“What, like Clarké?” I ask, turning the head of the pepper grinder back and forth, gently.

“Yes… well, not quite so much emphasis, but that’s near enough.” Clarke says.

I emit a vaguely affirmative, guttural sound in my throat and wave my fork in the air signalling additional positive reinforcement. Bringing the implement down, four shiny prongs puncture sausage skin, sliding through into the seasoned pork, releasing a savoury scent expertly designed to create salivation. Cutting a section free with the cutlery knife, I create a platform to stack some fried egg and beans.

Clarke sits slurping at his tea, watching me eat. When setting the cup back into the saucer, he offers little resistance to the force of gravity. The resulting china-on-china clank and spoon rattle, invokes a frown I am unable to suppress.

He appears disappointed with the dead-endness of our conversation, drumming both sets of fingers in an irregular rhythm onto the table-top. I avoid eye-contact and concentrate hard, willing him to stop. My psychokinesis energy fails, as ever. As I watch him struggle with this state of boredom, a twinge of sympathy surfaces for the old man. Swallowing a mouthful of food, I decide upon the next handful of actions. Taking a sip of water, dabbing nonchalantly at my lips with a paper napkin, I ready myself, straightening out my T-shirt.

“Myth-buster you say?” I ask, causing two grateful sparks of light to ignite and sparkle in Clarke’s eyes.

“Modern-day myth-buster!” he says, interlocking thick fingers together atop his midriff.

“A modern-day myth-buster?” I repeat, my chair creaks in ill-tempered protest as I lean back on two legs.

“Indeed!” Clarke confirms.

The cafe is becoming busy, people spreading themselves onto the lonesome tables first, followed by an apprehensive filling-in of gaps as options fade. I wonder if this might curtail the stranger’s talk.

Not so…

“Here’s one I will share with you, to demonstrate.” Clarke says, bringing a hand to his face as if to whisper me a secret. “Your nose and ears continue to grow in size, as you age.” Clarke’s eyes widen like a child’s, imploring desperate belief.

“Wait a minute, I’ve heard of this one before,” I say hesitantly, “so that’s true is it?” I continue with my breakfast, grateful to experience the gradual re-awakening of self, seeping through mind and body.

“My dear boy, your great-aunt Elspeth’s nose would be as long as an elephant’s trunk were this true!” Clarke draws away a cupped hand from his nose to form an elongated ‘S’ shape in the air.

“But in the Far East, people with over-sized ears are venerated and considered wise, how do you explain that?” I ask, lofting the question up high into the air.

“No no-no, the head shrinks with age, shrivels-up like a raisin, facial muscular atrophy and so on.” Clarke says, stopping my question with skilled abruptness. “The ‘shrunken head effect’ simply alters the apparent scale of protuberances – that’s all! While this remains a scientific fact,” Clarke says, bringing his fist down with emphatic force onto the table, “it is also plain for all to observe.”

Mia glides around the cafe with grace, dinner plates balanced in both hands. I try banishing Clarke’s unpleasant and implanted vision with several shakes of my head. The waitress happens to look my way, eyebrows raised, lips scrunched together in momentary uncertainty. Mia, you’ll never resemble an elephant nor shrunken head type thing to me, I want to cry out.

“Hell’s bells!” I say, voice volume louder than intended, “You’re not serious are you?” Amongst the diners, several necks twist around ninety degrees in my direction. Head down, I look busy and get on with finishing my plate.

“I am serious, serial debunking is what I do.” Clarke says, oblivious to the discomfort of the unwanted attention I am flustering with. After drawing a slow sip of tea from the cup held in his hand, pinkie extended, he looks around the interior of the cafe until his attention rests. He admires Mia leaning over a vacant table, spraying whitened liquid from a bottle in one hand and applying a vigorous wipe-over with the other. Both corners of his mouth twitch in appreciation of her fluidic body movement. I am gripped by the sudden urge to hover in the air above Clarke and grind salt into his offensive eyes.

“Are you absolutely certain of your facts?” I say, hoping to jolt his lecherous gaze away from the waitress.

“Unequivocally, I look you straight in the eye and tell you yes sir.”

“I don’t, believe you.” I tell Clarke, keeping the tension tight, playing him with skill, hopeful he doesn’t steer his line of vision back towards Mia.

With a sense of trepidation, I note the diligent waitress kneeling low to the floor, handling a table leg with a soft chamois. With her slow sweeps up and down the smooth wood, the shiny cleaning liquid becomes absorbed, releasing both colour and grain.

“Are you questioning my integrity?” Clarke says. We have eye contact, albeit via the slope of his condescending nose.

“Look,” I say, nervous impulsivity taking full control, “contrary to popular belief, the engagement of swords or muskets remains a legal method to defend one’s honour. On this basis Clarke, I challenge you, to a duel!”

“That’s not true!” Clarke shouts.

Without a glove to remove, I throw a handful of snow-white paper serviettes towards Clarke’s face. With three table’s distance to cover each one fails to hit the target, separating in mid-air and floating harmlessly to the floor.

His expression is frozen somewhere between disbelief and disdain. He is staring at me, a thin strand of tea-stained saliva drools out from one side of his mouth.

“W-ell,” he says, after a few minutes have ticked themselves off into oblivion, “that escalated rapidly!”