My Lesbian Love

A woman I felt more than fond of,
she didn’t like men.
Not in that way.

At the time, I thought
perhaps her mind might sway,
listening to the things I say,
the crazy things I talk about.

Maybe we’d become
more than friends.

Once,
I bought her a tie she liked as a gift,
hoping her thoughts about me,
these might shift.

Later on,
that same evening,
we rose up inside a tall building
in an elevator (a lift).

Lost in a maze of mirrored corridors,
finally, we picked a door.
Walked through, tentatively
into somebody else’s party!

On the open-plan top floor,
below the black night sky
we window-gazed,
out upon a universe of city lights.

And once comfortably seated,
I told her, I wanted more.

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Mum Cat, Dad Dog.

Mum was cat mad when I was a kid.
In the morning, before I left for school,
She’d be in the kitchen, wearing her cat mask.
Often, she’d be making me an egg-based breakfast.

The mouth on the mask, totally fixed.
Had no moving parts in the construction.
This meant her voice always sounded really muffled.
I’d just nod my head and smile whenever she spoke to me.

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In Paraguay

I came across this fragment online: An interview film featuring two characters living as husband and wife in a small, Paraguayan town. One that includes a large community of ethnic Germans, within its population.

While at no point in the clip is a date mentioned, the fashion, furniture, quality of the picture, sound and the historical references divulged, gives a feel of the late 1950s.

Most of the filming takes place in a spartan-furnished lounge, with the pair shown seated together on a charcoal-grey settee. A bland, greenish landscape painting hangs framed on the wall. To the left and smaller, a pictorial calendar displays August’s arrangement of a white teapot, cup, saucer and a pile of books. A ribbon-tied spray of pink carnations lay across the open pages of the topmost book. The wallpaper, floral and faded, completes the scene.

“Ja, nien.” The woman is wearing a sleeveless white blouson top and a black wrap-around skirt. Her make-up and hair are immaculate. Initially hesitant, she directs her answers to a man positioned off-camera, evidenced by the occasional plume of cigarette smoke drifting across the scene.

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The Only One

“And so it’s true, lo and behold I was the only one with a camera, the day Jesus was laid in his tomb.” Lottie holds the photo hardware up for the gallery crowd to scrutinise. A retro model, but containing more computerised technology packed into it, than available to the entire global effort for outer space travel, c.1954 – 1986. “So that’s my story and now I am ready to take some questions. You there, with the clown make-up, what would you like to ask?”

The beige-coloured painted walls of the gallery space, specially commissioned for the one-person, one-piece exhibition, has created a relaxed atmosphere. The critics from the press have been polite throughout Lottie’s monologue account, despite the only beverage available being tap water.

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