The Only One

“And so it’s true, lo and behold I was the only one with a camera, the day Jesus was laid in his tomb.” Lottie holds the photo hardware up for the gallery crowd to scrutinise. A retro model, but containing more computerised technology packed into it, than available to the entire global effort for outer space travel, c.1954 – 1986. “So that’s my story and now I am ready to take some questions. You there, with the clown make-up, what would you like to ask?”

The beige-coloured painted walls of the gallery space, specially commissioned for the one-person, one-piece exhibition, has created a relaxed atmosphere. The critics from the press have been polite throughout Lottie’s monologue account, despite the only beverage available being tap water.

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Caster Wheel Office Chair

Joseph of Arimathea cries out: “Who, has left Our Lord’s mortal vessel slumped on the chair like this?”

Within the tomb, an elderly turbaned man emerges from out of the shadows. Dressed in an embroidered stola, a walking-stick decorated by intergrown knots helps bear the load of sombreness he carries as he shuffles into a space of light.

“I am Nicodemus of Judea,” his voice is hoarse, dry and pitched upwards, “High Priest of Sanhedrin and I swear to Almighty God, that it was not I. Perhaps, instead…” a stubby index finger extends outwards to form an accusatory pointing device, “it was him, over there!”

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